Elizabeth Bishop's Postcards: An Exhibition Main Menu Preface: By Ronald Patkus Online Exhibition Introduction Events News Catalogue Key West Exhibition Elizabeth Bishop’s Postcards, held at Key West Literary Seminar’s Elizabeth Bishop House in Key West, Florida, from March 6, 2025 to May 3, 2025. Paris Exhibition Copyright © 2023 Vassar College Libraries

Works Cited

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Alloula, Malek. The Colonial Harem. Trans. Myrna Godzich and Wlad Godzich. Minneapolis: Univ of MN Press, 1986. Print.

Barry, Sandra. Elizabeth Bishop: Nova Scotia’s “Home-made” Poet. Halifax: Nimbus Publishing, 2011. Print. 

Bishop, Elizabeth. Exchanging Hats: Paintings. William Benton, Ed. NY: Farrar, Straus and Giroux, 1996. Print. 

—. One Art: Letters. Robert Giroux, Ed. NY: Farrar, Straus and Giroux, 1994. Print.

— Poems. NY: Farrar, Straus and Giroux, 2011. Print.

— Prose. Lloyd Schwartz, Ed. NY: Farrar, Straus and Giroux, 2011. Print.

—. Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell. 
Thomas Travisano and Saskia Hamilton, Eds. NY: Farrar, Straus & Giroux, 2008. Print.

Blom, Ina. “How to (Not) Answer a Letter: Ray Johnson’s Postal Performance,” PAJ: A Journal of Performance and Art, Volume 29, no. 2, May 2007: pp. 1-19. 

Brockman, William S. “James Joyce, ‘according to the picture postcard.’” Modernism/Modernity, Volume 7, no. 2, Nov. 30, 2022. https://modernismmodernity.org/forums/posts/brockman-joyce-according-pictures-postcard
Accessed June 1, 2023.

Burt, Stephanie. “Elizabeth Bishop at the End of the Rainbow.” In Reading Elizabeth Bishop, Ed. Ellis, pp. 321-336. Print.

Cleghorn, Angus, and Jonathan Ellis. Eds. Elizabeth Bishop in Context. Cambridge UP, 2021. Print.

Cran, Rona. “‘Men with a Pair of Scissors’: Joe Brainard and John Ashbery’s Eclecticism.” In Joe Brainard’s Art, Ed. Shamma, pp. 1-27 [ebook].

Davis, Michael Thomas. “John Ashbery Makes a Collage,” The Flow Chart Foundation. 2008.
https://www.flowchartfoundation.org/collage Accessed June 1, 2023.

DeRoo, Rebecca J. “Colonial Collecting: Algerian Cartes Postales and French Women Collectors.” In Postcards: Ephemeral Histories of Modernity, Eds. Prochaska and Mendelson, pp. 85-92.

Ellis, Jonathan. Ed. Reading Elizabeth Bishop: An Edinburgh Companion. Edinburgh UP, 2019. Print.

Fortuny, Kim. “Elizabeth Bishop's ‘Pink Dog’ and other non-human animals,” Textual Practice, Volume 29, no. 6, 2015, pp. 1099-1116.

Frost, Elisabeth A. “Visual Poetics.” In A History of Twentieth-Century American Women's Poetry. Ed. Linda A. Kinnahan. Cambridge UP, 2016, pp. 339-358. Print.

Furlani, Andre. “Elizabeth Bishop’s Animal Manners,” Essays in Criticism, Volume 70, no. 4, October 2020: pp. 428–446. 

Geary, Christaud M. and Virginia-Lee Webb. Delivering Views: Distant Cultures in Early Postcards. Washington, London: Smithsonian Institution Press, 1998. Print.

Gill, Jo. “Elizabeth Bishop’s Pink,” The Review of English Studies, Volume 72, February 2021: pp. 147–168.

Hammer, Langdon. “Letters.” In Elizabeth Bishop in Context, Eds. Cleghorn and Ellis, pp. 116-125.

Heuer, Elizabeth B. Introduction to Walker Evans, “Main Street Looking North from Courthouse Square (1948).” In Ephemeral Histories, Eds. Prochaska and Mendelson, pp. 157-161.

Heuer, Elizabeth B. Introduction to Paul Eluard, “Les plus belles cartes postales (1933).” In Ephemeral Histories, Eds. Prochaska and Mendelson, pp. 133-136.  

Komura, Toshiaki. “Poetics of Humility: Animal Ethics in Elizabeth Bishop and Robert Lowell,” Bishop–Lowell Studies, Volume 2, 2022, 1-25. 

Malay, Michael. The Figure of the Animal in Modern and Contemporary Poetry. Basingstoke: Palgrave, 2018. Print. 

MacRae, Marianne. “Animals.” In Elizabeth Bishop in Context, Eds. Ellis and Cleghorn, pp. 359–369. Print.In Reading Elizabeth Bishop, Ed. Ellis, pp. 321-336.

Parmar, Sandeep. “Race.” In Elizabeth Bishop in Context, Eds. Cleghorn and Ellis, pp. 335-346.

Paton, Priscilla. “‘You are not Beppo’: Elizabeth Bishop's Animals and Negotiation of Identity,” Mosaic, Volume 39, no. 2, December 2006: pp. 197-213.  

Prochaska, David, and Jordana Mendelson, Eds. Postcards: Ephemeral Histories of Modernity. Penn State UP, 2010. Print.

Ravinthiran, Vidyan. “‘Manuelzinho,’ Brazil and Identity Politics.” In Reading Elizabeth Bishop, Ed. Ellis, pp. 33-47.

Rosenbaum, Susan. “Elizabeth Bishop and the Miniature Museum.” Journal of Modern Literature, Volume 28, no. 2, 2005: 61-99.

Schlick, Yael. “‘All the untidy activity’: Travel & the Picturesque in Elizabeth Bishop’s Writings.” In Bethany Hicok, Ed. Elizabeth Bishop and the Literary Archive. Lever Press, 2020, n.p. [e-book].

Schor, Naomi. “Cartes Postales: Representing Paris 1900.” In Ephemeral Histories, Eds. Prochaska and Mendelson, pp. 1-23.

Shamma, Yasmine. “Introduction: Joe Brainard’s Collage Aesthetic.” In Joe Brainard’s Art, Ed. Yasmine Shamma. Edinburgh UP, 2020, pp. 1-18. [ebook]

Staff, Frank. The Picture Postcard and its Origins. NY: Frederick A. Praeger, 1966. Print. 

Tate.org. Gallery Label for James Collinson, “The Empty Purse (replica of ‘For Sale’) c. 1857” (July 2007). © Tate, London 
https://www.tate.org.uk/art/artworks/collinson-the-empty-purse-replica-of-for-sale-n03201  Accessed June 1, 2023.

Trousdale, Rachel. “Humor.” In Elizabeth Bishop in Context, Eds. Cleghorn and Ellis, pp. 302-312. 
 
Welsch, J.T. “‘The Moose’ as Movie: Elizabeth Bishop as Screenwriter.” In Reading Elizabeth Bishop, Ed. Ellis, pp. 194-205.

Willoughby, Martin. A History of Postcards. London: Bracken Books, 1994. Print.